Readers Theatre
As an elementary educator, I find it crucial that learning in the classroom be creative and fun for students. Through working with primary aged students who are developing their reading skills, I find it even more important for these reading skills to be taught in an exciting, expressive manner to instill in them a love of reading. Let’s face it, learning to read is tough. It takes time, practice and many dreadful moments of getting stuck on that one word in order to move on and make sense of the big picture in front of you. There are so many little pieces that need to come together to turn these students into, what I call my students, rock star readers. So, the closest thing to a rock star, is an actor. And the closest we can get to acting when learning to read is … Readers Theatre.
What is it?
Readers Theatre strategy blends a students’ desire to perform with their need for oral reading practice (Bafile, 2005). It is often looked at and praised for what it is not. It is not a glitzy Broadway performance complete with detailed sets and costumes where the students are asked to memorize the script. This method of learning simply takes a story, or part of a story, and turns it into a script for students to read as they perform.
Essentially, there are five simple steps that should be followed to create a Readers Theatre. I browsed several places and found this list from Scholastic Instructor to be simple and straight to the point. The five steps are as follows.
| 1. Choose a script. Choose a prepared script, or have kids choose a book from which to develop an RT script.2. Adapt the script. If adapting, kids identify speaking parts (including narrators) and break down the story into dialogue.3. Assign Parts. Kids might try out different parts to get a feel for them, then choose their roles themselves.
4. Highlight parts and rehearse. Kids highlight their dialogue, then practice their lines at home and in groups during school. 5.Perform. The cast reads the play aloud for an audience, often made up of parents or younger students. |
Simplicity…how nice!
Readers Theatre is one of the most simple, engaging and fun activities for readers. As I mentioned before, it is not a Broadway production. It won’t dip into school funds, or your own. Basically the only thing that can limit this strategy is imagination (Prescott, 2003). It is always best to start simple, and keep it simple. It is also important to build rules and procedures of behavior and expectations for this activity. Kids should be familiar with the format of a script and it is important to teach them about the scripts before just handing them the paper. Prescott suggests that teachers can model fluent, expressive reading for their students during shared read-alouds. I find that with my young students it was also important to model what it looks like to follow along and to know when it is your turn to read your part. However, these are simple steps to model and if done correctly and right at the beginning, eventually the class will be able to jump right into a new performance.
Fluency and Comprehension
It is a fantastic tool for the development of fluency, which is an important piece in the development of reading comprehension. Comprehension is the key goal for every reader, because in reality, what’s the point of reading if you are not gaining anything from it? Through rereading and practicing their parts, students develop increased ability to read fluently (Worthy, 2005). This then helps students understand and interpret what they read. It has shown to have a dramatic impact on overall reading proficiency (Griffith & Rasinski, 2004). Fluency is the means to change a struggling reader into a confident reader and each time they read they have the opportunity to increase their ability. If they enjoy performing with Readers Theatre, it can only help them to want to keep reading.
After chatting with a few teachers in my school about this entertaining intervention, those that used it, had many positive examples and thoughts to share with me. Third grade teacher, Miss Kelli Booth, uses this intervention often with her students. In fact, my kindergarteners have often been the audience for some of these performances. Where last year, her students weren’t as eager as this years students, she told me she finds the intervention can work differently with different groups of students. This year, she is loving the intervention. She is finding it is helping her kiddos to become more fluent and expressive readers. They are also able to retell the stories they are turning into scripts better for her. She tells me “They love to perform. They work together to make simple works of art and half of the time they don’t realize that they are becoming better readers.” She’s looking forward to their latest performances this Friday.
As a kindergarten teacher building the first blocks in my students’ reading castle, they aren’t always capable of reading a full script. I tend to use this intervention with my kindergarten enrichment RtI group. In this group I have all of the students who are currently able to read. I started using readers theatre with a very familiar story to these young readers, Eric Carle’s The Very Hungry Caterpillar. We know the life cycle of a butterfly helping us to understand the cycle in this story. We also know the story. I simply took the story, split it up into 4 different roles and the kids performed the story in small groups. The story was repeated several times reinforcing that repetitive reading. The first day we read the script, the kids were slowly getting used to following along and knowing when to read. The second day we did it they were familiar with the story and were able to be more expressive with their reading. They loved this intervention. Being five and six years old, they still love to “play”. This is a way for them to practice their skills and use that creative, play learning that they so greatly benefit from. I also incorporated this in my class with our science unit on life cycles. We had a performance recently about the life cycle of a plant. After I taught my students the life cycle, I then put what they knew into a script. They were familiar with what they were reading because they already had the background knowledge. They recognized vocabulary and I kept the script simple with using a lot of the sight words that they already knew. They loved doing it and felt so proud of themselves at their performance. Therefore, I believe that Readers Theatre is fantastic for teaching concepts in other subject areas as well as reading.
The following is a clip of another first grade class in the Dominican Republic performing their readers theatre of The Very Hungry Caterpillar.
Universal Design of Learning
How does this relate to UDL? This method of learning offers many different opportunities for many different learners. It involves children in understanding their world, creating their own scripts, reading aloud, performing with a purpose, and bringing enjoyment to both themselves and their audiences (Bafile, 2005). There is something for every learner. The great thing about it is that it’s not just about reading it also gives students the ability to develop interpersonal, social, and collaborative skills (Prescott, 2003).
Fun Sites:
Aaron Shepard’s Readers Theatre
References
Bafile, C. (2005). Reader’s Theater: Giving Students a Reason to Read Aloud. Retrieved April 10, 2012 from Reading Rockets: http://www.readingrockets.org/article/39/?theme=print
Bell, M. (2006). Readers Theatre. Retrieved April 10, 2012 from Readstrong: http://myweb.stedwards.edu/mikekb/ReadStrong/readerstheater.html
Griffith, L. W. & Rasinski, T. V. (2004). A focus on fluency: How one teacher incorporated fluency with her reading curriculum. The Reading Teacher, 58, 126-137.
Prescott, J. (2003). The Power of Readers Theatre. Retrieved April 10, 2012 from Scholastic Instructor: http://teacher.scholastic.com/products/instructor/readerstheater.htm
Worthy, J. (2005). Readers Theater for building fluency: Strategies and scripts for making the most of this highly effective, motivating, and research-based approach to oral reading. New York: Scholastic.










